Spector was the ultimate example of the art always being better than the artist. – Stevie Van Zandt
Spector was a murderer and an abusive maniac. – Drew Carey
Bourke Accounting is a good accounting firm. Our bookkeepers and tax preparers are determined, conscientious and talented. Bourke may not go down in history as prominently as Microsoft (Bill and Tim have some ideas, so that really remains to be seen), but, as a business, it will be remembered well. Bourke Accounting clients have nice things to say and, citing Bourke’s honesty and expertise, often refer others to our door. Bourke will be remembered well and that’s important.
As humans, we are obviously imperfect. The trick is to do enough good in the world that our slight missteps can be easily forgiven and forgotten – call it the Balance Sheet of Life. It’s this concept, combined with the very conflicted life of Phil Spector, that is putting the music industry through some changes right now. Spector, music producer and monster, died this weekend at 81 years old. He was serving 19 years to life for the 2003 murder of acquaintance Lana Clarkson and would have been up for parole in a few years (En.Wikipedia.org).
That Spector changed the course of music with his innovative production skills cannot be denied. Through his inclusion of strings, horns and new recording techniques, his “Wall of Sound” transformed teenybopper tunes into introspective, mature works. Spector won a Grammy Award and was inducted in both the Rock and Roll Hall of Fame and the Songwriters Hall of Fame. Yes, American music would sound very different if not for the work of Phil Spector.
But. Spector was also a very violent man and this was obvious before he murdered Lana Clarkson. Spector mentally and physically abused artist Ronnie Spector during their marriage. It’s said that Spector held the punk rock band, The Ramones, hostage at gunpoint for days (until the lure of narcotics outweighed Dee Dee Ramones’ fear of being shot) (Please Kill Me, McNeil and McCain, editors). During his trial, five women testified that Spector threatened their lives or attempted to kidnap them (TheGuardian.com). Giving his eulogy for fellow wife-beater Ike Turner, Spector commented that “Ike made Tina the jewel she was” (En.Wikipedia.org). Sometimes you just have to beat some sense into these women, right, Phil?
Once Spector went to prison, “cancelling” him wasn’t very hard. However, with his death, music journalists are finding themselves walking a precarious line. To fawn over his career is to condone violence; to ignore his career negates any reason for an article to be written in the first place. Besides the question of how to write about a cancelled Spector, it must be pointed out that cancel culture is dangerous. “Cancelling” someone effectively shuts down all dialogue regarding why the individual was cancelled; it’s easy to simply say, “he’s cancelled,” and move on. Also, cancel culture establishes a hive-type mind that encourages the masses to come to the same conclusion without a lot of independent thought. In Spector’s case, the point is moot – he’s cancelled either way.
As we stumble through life, the best we can do is try to put more good out there than bad. We know right from wrong and we should prove it. No one is expecting us to live as saints, but the least we can do is avoid being remembered like Spector.
This tax season, let the (sorta) saints of Bourke Accounting file your tax returns. Committed Bourke pros don’t cut corners and certainly don’t play loose with the law. Bourke Accounting experts have had a very good reputation, for a very good reason, for a very long time. You will remember Bourke Accounting well.
Come see us any time. Our number is 502-451-8773 and don’t forget to visit our website at www.bourkeaccounting.com. See you soon!
Written by Sue H.
Paris, you ain’t a f*&%ing punk, yah tourist! – NYC Punk Rocker, upon seeing Paris Hilton wearing a Ramones shirt, 2001
If you think about it, tax preparers – like you’ll find at Bourke Accounting – are akin to musicians: they have to keep time with the song they’re playing, they must have a working knowledge of the rules and structure and, most importantly, they have to know how to be innovative without descending into a world of chaos (and penalties). Think of it like this: there is a huge difference between Tekashi6X9 and The Jimi Hendrix Experience. One is irritating noise that is technically music, one is life-changing art.
In 1974, popular music was pretty much nowhere. We had the soulless arena rock of Queen (yeah, I said it), there was the wanna-be sensitivity of The Eagles and the sanitized, over-produced offerings of Steely Dan (not to mention the one-step-away from feminine hygiene jingles of Barbra Streisand). In 1974, popular music had no meaning, no emotion and all of the charm of damp toilet paper stuck to the collective finger of America.
And then, when it seemed that there would be no stereophonic salvation, four funny-looking guys with an obsession for bubblegum pop convinced an NYC bar owner to let them play. The Ramones had arrived at CBGB’s to save the day (and our souls).
What was interesting about The Ramones was that they didn’t sing about “bands on the run” or how “you ain’t seen nothing yet.” No, no, no, The Ramones gave us autobiographical ditties that, at first listen, were cute and energetic. However, there was nothing cute about the confessional song, “53rd and 3rd.” This song depicted bass-player Dee Dee Ramone’s experiences as a professional lover on a well-known Manhattan corner. As it turns out, Dee Dee had a love for pharmaceuticals and no desire to get a proper job. Also, the upbeat song “Beat on the Brat” was Joey Ramone’s observations based on his neighborhood, illustrating children running wild and parents with a penchant for corporal punishment.
The hippie protest songs of the 1960s advocated rebellion against unfair higher powers with an inclusive, “we love everyone” vibe. Punk rock wasn’t quite as optimistic. Punks knew that just saying you love everyone didn’t make it true. Punks were cynical, learning at a young age that “heroes” who espoused “all you need is love” were often the same men who mercilessly abused their nearest and dearest. Punkers were honest in their nihilism and belief that the world really was as bad as a hippie with a peace sign and a clenched fist. Punk rock and The Ramones didn’t sugar-coat to make anyone feel better.
While there is a depressing, truthful element to punk and The Ramones, there is also an idealism that suggests that we will get through this, too. The thundering bass, the simplistic, war-like drums, the staccato singing and the screaming guitars all prove that where there is life, there is hope.
Critics have accused punk of being sloppy, undisciplined noise. They’re wrong. Punk is visceral and primal, sure, but it’s also real. Punk and The Ramones are the auditory personification of the Id; there are some of us who will always prefer authenticity to commercial studio representations of humanity.
Bourke Accounting bookkeepers and tax preparers are the punk rockers of accounting. Bourke Accounting pros know what they’re doing, but they won’t pretty up their findings for anyone. If you want an expert to tell you the truth and give you real options to save your back account, come see a Bourke Accounting representative today. Gabba gabba hey.
Come see us any time. Our number is 502-451-8773 and don’t forget to visit our website at www.bourkeaccounting.com. See you soon!
Written by Sue H.